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Mellencamp’s paintings through the family that is s—of buddies and many of himself—show lone figures isolated frontally against easy, shadowy backgrounds. They stare during the audience or down into area with eyes both tough and susceptible, projecting strength comparable to Beckmann’s self-portraits along with his sad, glowering eyes. Art journalist Doug McClemont, in an assessment for Art area , claimed: “Mellencamp paints handsomely grotesque portraits in oil which can be because solemn and stirring as his hit tracks are catchy and inspirational.
They depict existential scenes and people ridden utilizing the angst associated with each and every day. There are not any smiles in the faces of Mellencamp’s painted figures.
Their unfortunate clowns, ex-girlfriends, innovative heroes, thought outliers, and hillbilly vocalists are often endowed with oversize fingers and facial features and constantly with deadpan, proud stares. Mellencamp’s artwork was the main focus of the quantity of exhibitions. Relating to Dr. Louis A. Zona, manager and curator regarding the Butler Institute: “I happened to be enthusiastic about the discussion between Mellencamp’s work plus the Butler’s more traditional number of nineteenth- and twentieth- century US art by masters including John Singer Sargent, Winslow Homer, and Raphael Soyer. John’s tasks are beautifully performed with extremely studies that are fascinating.